Author Archives: Kate Clark

About Kate Clark

Clinics under fire? Health workers caught up in the Afghan conflict

Those providing health care in contested areas in Afghanistan say they are feeling under increasing pressure from all sides in the war. There have been two egregious attacks on medical facilities in the last six months: the summary execution of two patients and a carer taken from a clinic in Wardak by Afghan special forces in […]

The Bloodiest Year Yet: UN reports on civilian casualties in 2015

2015 was the worst year for civilians in the Afghan conflict since UNAMA started systematically documenting casualties in 2009. Its annual report looking at the protection of civilians in 2015 found the trend towards more casualties in 2015 particularly marked for women and children. For women, IEDs are now the second biggest killer, with increased […]

Ripping Up the Rule Book? US investigation into the MSF hospital attack

The commander of US and NATO forces in Afghanistan, General John Campbell, has said the deadly air strike on the Médecins Sans Frontières (MSF) hospital in Kunduz in the early hours of 3 October 2015 was “a direct result of avoidable human error compounded by process and equipment failures.” The US military investigation, moreover, found […]

MSF Investigation: US hospital strike looking more like a war crime

A preliminary investigation by Médecins Sans Frontières (MSF) into the United States airstrike on its hospital in Kunduz on 3 October, which killed at least 30 people, has raised some serious questions. Fresh evidence suggests statements made by US officials in the first few days after the attack were false. It also makes clear how […]

Quarter of a Century of War in Pictures: Exhibition at ACKU

An exhibition of war photographs taken in Afghanistan over the last quarter of a century is currently showing at the Afghanistan Centre at Kabul University and will thereafter be available in its archive. American photographer Robert Nickelsberg has been visiting the country since 1988, catching moments on film that are variously historic, unsettling and tender. […]

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